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That’s one of the taglines for this United Artists release. After watching this movie, my first impression was “Man, what a cornball movie.” But after a puny more concept, and realizing that this came out in 1951, I soften a bit. Yeah, it was corny, but it did have its’ charms.

Robert Clarke stars as John Lawrence, a newspaper reporter called to a Scottish moor by his friend, Professor Elliot, to conceal what will be the memoir of his lifetime. A seemingly stray planet is headed in the general direction of Earth, and the moor is the spot that it will pass closest to Earth. Prior to this event, they score a odd, alien object on the moors, followed by valid alien spaceship fashioned in classic 50’s sci-fi fashion. Not only that, but the alien spacecraft is inhabited by a glowing funky looking humanoid creature. If you’ve ever seen the Honeymooners episode where Ralph dresses up as a spaceman, then you will have a heavenly respectable belief of what this alien looks like.

Anyway, they try to communicate with it, with the encourage of another scientist, Dr. Mears, played by William Schallert, the only actor I recognized as he’s been on like a bazillion TV shows, probably most illustrious being The Patty Duke Reveal, and a whole mess of movies. Seems he has rather a dubious past, and his intentions are less than admirable when dealing with this advanced creature from another world.

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When Mears starts throttling the alien for his situation secrets, the alien takes off, and things commence to net a dinky hairy as the alien begins to plot his plans into action. What is this alien’s connection to planet X? What are his intentions on our planet? Wait until the waste of the movie to obtain out, because while throughout most of the movie the site slides along at the pacing somewhat akin to a snail, we eye the rush quicken like a jackrabbit in the last ten minutes or so, including a mountainous, steaming pile of rather clunky exposition to occupy the viewers in to what’s going on…and a really unintentional seek information from asked at the ruin by the female lead that made me wonder if she had even experienced the events in the movie because the request really contradicted everything that happened, at least in my thought.

My only dependable gripe with the movie is Robert Clarke. Quite a attractive man at the time, looking sort of like Errol Flynn, he honest didn’t seem to fit in well in this genre. He seemed a exiguous too sophisticated, a diminutive to debonair, with his pencil thin mustache, to play the portion he was given. I envisioned sci-fi stale Richard Carlson playing the allotment noteworthy better.

This is a really good-looking print, but don’t quiz any extras other than a trailer. I do bask in MGM releasing these Midnight Movies at a reasonable label, and I know they’ve started doing double bills for the same tag, but not here, as this DVD was released prior to that worthwhile change. Are there better sci-fi movies of that time period out there? Clear, The Thing, and War of the Worlds to mention two, but this one ain’t so terrible, if you got 71 minutes to ruin and an interest in classic science fiction movies.

THE MAN FROM PLANET X is not without it’s charms. More shimmering than you might imagine, better scripted than you could beleive it to be, and far more fun than it should be - it is a solid film that is first out of the gate with ideas (invsion from outer site) and themes (former scientist father, hot daughter, Mother dumb - unbiased what happened to all these Mothers? I scream these movies existed in another universe where the women went off to fight WWII leaving the men slow) that would accumulate their device into the larger, bigger, and far better remembered British Fear film industry - but there is something else about THE MAN FROM PLANET X that is also worth the heed of admission alone - and that’s lessons in how to construct a film expeditiously, cheap and easy. Count the shots. Count the cast… count the sets… there is very petite here that wasn’t borrowed or reused from other films (even the box states that the ENITRE film was shot on a standing spot left slow from Ingrid Bergman’s JOAN OF ARC) . It’s a lesson in filmaking - bewitch what exiguous you’ve got, add a lot of fog and a solid script and you’ve got yourself a movie. Overall - a classy dinky feature with a highly effective alien and atmosphere - a solid addition to your DVD library.
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Опубликовано 27 ноября 2009 в рубрике The Man From Planet X • Тэги: Download The Man From Planet X Online, Stream The Man From Planet X, The Man From Planet X, The Man From Planet X Streaming, Watch The Man From Planet X Online. •  Распечатать запись •  Отправить по почте • RSS 2.0 лента • Оставьте комментарий, или отправить уведомление (trackback) со своего сайта